An intense psychological portrait of a bourgeois man descending into nihilism and uber-self-conception… Georges Simenon’s L’homme qui regardait passer les trains is precociously modern in style and subject matter. Not at all what I expected.
Blogs I Follow
- Walter Isaacson, The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race
- The Corner that Held Them, by Sylvia Townsend Warner
- Flux, by Jinwoo Chong
- V.V. Ganeshananthan’s novel “Brotherless Night”
- Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987, by James E. Genova
Friends of African Village Libraries (I post regularly here)
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