Not exactly sure why, but “Annunciation” by Lauren Groff in the February 2022 The New Yorker may be currently up there as my most-appreciated short story in a couple years. The story is ultra-real, but the reader is simultaneously aware that it is a kind of fairy-tale. (That Griselda lives in the main house, with her mastiff, is both ultra-real and ultra-metaphor.) Only three things happen: the narrator leaves home to go to San Francisco after college graduation, she moves to Palo Alto to live in a backyard cottage, and she works in an office setting. Within those events, though, a whole world is constructed, of feeling and interior life. The rush of backwards-looking assessment at the end I found breathtaking (and for me echoed Hemingway’s sudden looking back at the end of A Moveable Feast). The people at Mookse have some nice commentary.
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