Michael Kevane

Reading this sci-fi “empire” novel A Memory Called Empire by Arkady Martine (the new labeling for what used to be called space opera, I guess) was enjoyable. Very good characterization of the two central characters. A decent science-fi idea, though in the end perhaps underdeveloped. A good editor I think could have taken this one step further – there were numerous small grammar issues and repetitions (the main character was “on the verge of a hysterical laugh” enough times that I started noticing the construction). I will admit that I skimmed the last third: denouement is such a hard problem in novel writing. I’m becoming more of a fan of “circular” writing where the ending turns around to go right back to the beginning (influence of reading Pnin, I suppose).

I really enjoyed Piranesi by Susanna Clarke. It is a short novel, an allegory, really. But she deftly works in the “real” world, and the writing is extremely satisfying: I lingered over her choices of words and sentences, and definitely want to read again. Oddly, something in common with The Traitor Baru Cormorant was the concept of a palimpsest, which in our current multiverse understanding of reality is perhaps becoming an organizing principle for cultural production.

The Traitor Baru Cormorant by Seth Dickinson was a good “close to alt-history” novel. In a world similar to the world in 1500, an imperial power uses a variety of techniques to divide, conquer, rule, exploit, extract, and “develop” the periphery. Magic is hinted at but no more so than writings from Spain or Portugal in 1500 would have hinted at supernatural forces, and they did. I confess I started getting bored and skimmed the last third. but I appreciated his craft.

The New Wilderness, by Diana Cook, follows the wanderings of a small band of humans in a dystopian future (though not always clear it is really a dystopia or whether the group wandering the wilderness are the ones who cannot abide the everyday future). They sew clothes from animal sinews and fur, etc. Many of them die, but some children are born, and the arc of the novel takes place over a decade. The small group dynamics occupy a lot of the novel, silverback male stuff, matriarch stuff, etc. It can be very painful to read, the way a nature video of a challenge to the dominant chimpanzee is painful to watch. The writing is excellent, but to be honest I do not find these intense psychological stories of survival to be what I am looking for when reading. My preference leans towards the exotic and distant (you know, a time-traveling AI exploring the concept of gender while solving the problem of the weapons ship that disappeared). My 15 second pitch: The Road meets The English Passengers (the Tasmanian natives sections as they wander the country harassed by the settlers).

Got this for Christmas: A Song of Wraiths and Ruin, by Roseanne Brown. Young adult fantasy novels keep improving the genre, as authors take the best elements from prior work, clean up the writing, put into interesting new contexts. I enjoyed reading this as decent escape entertainment. Could definitely see this becoming a novel that especially might appeal to young adult readers in Ghana (with advanced reading skills), for FAVL libraries.

Nice Youtube review is here.

Our neighborhood book club read The Stranger by Albert Camus. Everyone thought it was worth reading, and we had a good discussion about the fiction/story aspect of the novel, the philosophical aspects, and the psychological possibilities. Probably modern readers immediately focus on the last possibility as think, “Oh, some guy with severe Asperger’s syndrome?” I don’t really think Camus intended that. I found it an excellent provocation for thinking about meaning in a world without external “truths” that by osmosis infuse lives with meaning. the scene of the prosecutor and his crucifix was key, for me, in underscoring that point. Just as the reader is intended to think, “How could anyone actually think that?” Camus is asking, “How is that different, really, from any other meaning-infusing story about the universe?” Fortunately, I was born with the pragmatic get on with life gene, so I spent only a few minutes feeling that despair, before “i should feed my sourdough starter” popped into brain. I did read in French, and enjoyed a few interesting words not immediately obvious to me from context. Followup is to reread Bartleby, The Scrivener, which anticipated Camus by almost by 100 years.

I use this blog mainly to track my own reading (and remember what I read several years later!). I loved reading Vol. 1 of Le Seigneur des anneaux in French. Gave the whole novel a fresh perspective (I had not read it since high school). I especially enjoyed the Tom Bombadill sections, that I had completely forgotten about. Reminded me of Alan Garner.

Old Man’s War confirmed the Elmore Leonard-ish style, which is not really my preference. I guess it was a decent read? A beach/airplane novel. Nothing memorable except the plot concept. Remarkably blinkered for sci-fi. The “aliens” may as well have been “the natives of Tonga.”